Description
NiSi ATHENA PRIME Rewind 14mm T2.4 Full-Frame Cinema Lens ( PL Mount )
The NiSi ATHENA PRIME Rewind 14mm T2.4 is a full-frame cinema prime lens designed for filmmakers and cinematographers who want the ability to shift between vintage-inspired character and modern optical precision within a single lens. As the ultra-wide entry point in the Rewind series, the 14mm offers an expansive field of view with the distinctive dual-personality optical design that defines the ATHENA PRIME Rewind range. The defining feature of the ATHENA PRIME Rewind 14mm is its ability to deliver two distinct optical personalities. Wide open at T2.4, the lens produces a warm, vintage character with amplified aberrations, softened resolution, and enhanced foreground and background blur. As the aperture is stopped down, these characteristics progressively diminish. By T4, cinematographers reach a balanced sweet spot between stylisation and sharpness, and by T5.6 to T8, the lens behaves close to a modern, clinically clean cinema lens. This gives directors of photography an intuitive creative dial, allowing them to adjust the visual feel of every shot without swapping glass or adding filtration. At 14mm, the Rewind provides an expansive field of view that is ideal for dramatic establishing shots, sweeping landscapes, confined interior scenes, and immersive environmental storytelling. The full-frame coverage with a 46mm imaging circle ensures compatibility with the latest large-format cinema cameras, delivering edge-to-edge character and coverage across the entire sensor. Combined with the Rewind’s retained barrel distortion, wide-angle shots take on a natural, organic curvature that adds visual depth and dimension. Flare intensity is significantly increased over the standard Athena Prime, delivering warm-toned flares that add atmosphere and energy to backlit scenes, practicals, and direct light sources. Despite its vintage optical character, the Rewind 14mm maintains color rendering that is highly consistent with the standard ATHENA PRIME set. This means cinematographers can freely intercut between Rewind and standard Athena lenses without requiring extensive color correction in post-production. The 14mm features matched weight and physical dimensions with all other Rewind focal lengths, enabling seamless lens changes without gimbal rebalancing or matte box adjustments. The 300-degree focus ring with fluorescent focal scales ensures precise focus pulls in low-light conditions, while the rear filter mount allows for quick gel and creative filter changes. Minimal focus breathing maintains a stable field of view during focus adjustments, and chromatic aberration levels remain unchanged from the standard Athena Prime, ensuring stylistic character without undesirable fringing. Whether shooting atmospheric wide-angle drama, stylised commercial content, or immersive documentary work, the NiSi ATHENA PRIME Rewind 14mm T2.4 provides filmmakers with an unprecedented level of creative control. The ability to transition from vintage warmth to modern clarity within a single lens eliminates the need to carry multiple optics for different visual treatments, reducing both cost and complexity while expanding the creative language available to every production.
Features：
● One Lens. Two Cinematic Personalities. The Rewind delivers a film-inspired vintage character wide open, then transforms into a clean, modern cinema lens when stopped down, giving filmmakers two distinct looks from one lens.
● Vintage Character with Modern Control. Through deliberate optical design, the Rewind simulates film-era lens characteristics including amplified aberrations, reduced resolution at wide apertures, and enhanced softness for an authentic vintage look without relying on actual old glass.
● Ultra-Wide 14mm with Full-Frame Coverage. Provides an expansive field of view ideal for establishing shots, interiors, and dramatic environmental framing, with a 46mm imaging circle covering all full-frame cinema cameras.
● Adjustable Stylization via Aperture. Vintage character is strongest at T2.4, progressively diminishes through T4 (a balanced sweet spot), and by T5.6–T8 the lens behaves close to a modern cinema lens, providing a creative dial for cinematographers.
● Warm, Expressive Flares. Flare intensity is significantly increased over the standard Athena Prime with a warm color tone, adding cinematic atmosphere to backlit scenes and practical lighting setups.
● Color Consistent with Standard Athena Prime. The Rewind’s color rendering closely matches the standard Athena Prime, making it easy to intercut or mix both lens types on set without post-production color correction.
● 300° Focus Ring with Fluorescent Scales. Precision focus pulls are made easy with 300 degrees of rotation and fluorescent focal markings for visibility in low-light shooting environments.
● Matched Weight and Size Across All Rewind Lenses. Seamless lens swapping without the need for gimbal rebalancing, rig adjustment, or matte box reconfiguration, saving valuable time on set.
● Rear Filter Mount for Creative Flexibility. Built-in rear filter slot allows for quick gel and filter changes without disturbing the front of the lens, maintaining a streamlined workflow.
● Minimal Focus Breathing. Ensures a consistent field of view during focus adjustments, critical for cinematic pull-focus work and professional video production.
● Retained Barrel Distortion for Organic Feel. Preserves barrel distortion, contributing to the organic, analogue character that distinguishes the Rewind from clinically corrected modern optics.
● No Added Chromatic Aberration. While aberrations are amplified for the vintage look, chromatic aberration levels remain unchanged from the standard Athena Prime, delivering style without undesirable fringing.
