Not enough stock.
Your item was not added to your cart.
Not enough stock.
Please adjust your quantity.
Limit {{ product.max_order_quantity }} per order.
Only {{ quantityOfStock }} item(s) left.
Physical Specifications
Dimensions (W x H x D mm):151 x 91.5 x 31mm (Ninja only)
Weight:360g
Mount points:1 x Anti rotation 1/4″ / 3/8 top and bottom
Environmental
Ambient operating temperature:Up to 40° Celsius
Construction and Control
Body:Aluminium with ABS plastic
Cooling:Actively controlled fan and heat sink
Tally light:Rear and front
Multi-function button:Power / lock Screen
AtomX pansion slot:Yes
Power
Input voltage:6.2V to16.8V
Operating power:5.8-7.2v
Compatible batteries:NPF L series
Battery Run time (Record):
5200mAh – up to 2hrs(monitor & record 4K 60p)
7800mAh – up to 3hrs(monitor & record 4K 60p)
Continuous power:Via Optional AtomX SYNC Module
DC in connector:Via DC Jack on Battery eliminator
Dtap:via battery eliminator and optional DTap to DC cable
Display
Touchscreen:SuperAtom IPS panel (capacitive touch)
Size:5.2″
Resolution:1920 x 1080
PPI:1920 x 1080
Bit depth:10Bit (8+2FRC)
Backlight Type:Edge lit
Brightness (cdm2 / nits):1000
Aspect ratio:16:9
Color Gamut:Rec.709
Calibration support:Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma:Sony SLog / SLog2 /SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 /LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 /LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 /Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut:BT2020, DCI P3, PDCIp3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ /BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red Dragon Color/ DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide Gamut”
3D LUT Display:.Cube Format
3D LUT Down Stream:Loop out
3DLUT 50/50:Yes
Monitoring Modes:Native / HLG / PQ / 3D LUT
HDR output Conversion:Log / HDR to HLG / PQ / Dolby Vision
VideoInput
HDMI:1 x HDMI (2.0) 4kp60
HDMI RAW:ProRes RAWup to 6k
SDI:2 x 12G SDIBackwards compatible Auto detection via included AtomX SDI module
SDI RAW:ProRes RAWup to 6k
Bit Depth:8/10BitVideo / RAW up to 16Bit
Video Chroma Subsampling:4:2:2
Metadata
HDMI:RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop,ISO, Gamma, gamut
SDI:File Name from Arri,RED
VideoOutput
HDMI:1 x HDMI (2.0) 4kp60
SDI loop out:1 x 12G SDIBackwards compatible Autodetection via included AtomX SDI module – level A and B selectable
SDI Play out:2 x 12G SDIBackwards compatible Autodetection AtomX SDI module – level A and B selectable
Video Chroma Subsampling:4:2:2
Bit Depth:10-bit video
WebStreaming
USB UVC:Optional viaConnect 4k
VideoSignal Conversion
HDMI to SDI:Yes – Video and RAW
SDI to HDMI:Yes – Video and RAW
AudioIn/Out
Audio Quality:24/48kHz
Audio Codec:PCM
HDMI:8ch 24Bit, inputdependent
SDI:12ch 24-bit, inputdependent
Analogue Audio in:3.5mm 2ch.
Headphone out:3.5mm 2ch.
Timecode/ Sync
Embedded:HDMI and SDI
Time of day:Yes, Timeand Date
LTC:via 3.5mm audio Jackinput (Requires post processing)
Wireless SYNC:via 3.5mmaudio Jack input (Requires post processing)
Resolutionand Frame Rates (Record, Monitor & Playback)
6k:RAW Only up to 30p viaHDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)
4k DCI:23.98/24/25/29.9/30/50/59.94/60p
4k UHD:23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080:2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
Anamorphic:3.5k: RAW upto 60p (from supported cameras only)
FHD 1920 x 1080 Progressive:23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF:Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced:23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p:50/59.94/60p
RecordingCODEC
Apple ProRes RAW:ProRes RAW, HQ
Apple ProRes:LT, 422,422HQ
Avid DNxHD:DNxHD220x,220,145,36
Avid DNxHR:LB, SQ, HQ,HQX.
Playback
Playlist:Yes, Createcustomer play lists from full or sub clips
Loop:Yes, with usercustomisable in / out markers
Apple ProRes Raw:Yes, recorded clips
Apple ProRes:Yes, withLinear PCM audio
Avid DNx:Yes, withLinear PCM audio
Recordingfunctions
Pre-roll record:Yes (HD 8s, 4K 2s) – Not available inRAW
Timelapse:Yes
MultiInput / Switching
SDI A/B toggle:Yes, Up support up to 12G SDI per input
Supportedmedia
Master Caddy I:Not compatible
SSDmini:Native Sizeand Fit
CFast II:viaSupported cards via optional SSDmini CFAST II Adaptor
File Naming:Unit Name – Scene/Shot/Take, Arri & RED via SDI
File System:ExFAT
Onscreen tools
MultiScope Analysis View:Yes, 3 size / Position
Histogram:Yes, 3 size/ Position
RGB parade:Yes, 3 size/ Position
Vector scope:Yes, 2 size/ Position
1 x Zoom:Yes. 1:1Pixel mapping for 4k
2 x Zoom:Yes
Focus peaking:Colourselected / threshold setting / colour / Mono / edges only
False colour:Yes, withScale
Zebra:Yes, Adjustable
Isolate color channel:Blue Only
Cine Frame Guides:2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides:9:16, 1:1, 191:1, 4:5
Safe areas:Action andGraphic
Grid markers:9 grid
Anamorphic desqueeze:1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip:VerticalOnly
OnboardSignal Processing
Pulldown Removal:24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown)
4K UHD Downscale for HD:Loop out – 4K UHD to FHD
DCI Crop:Loop out – 17:9 to 16:9 Crop
Remotecontrol
HDMI:Auto HDMI Trigger,Supported Protocols – Canon, Sony, Atomos Open Standard
SDI:SDI trigger cameraselectable
Serial 2.5mm Jack:LANC control and calibration via optional USB to serial cable
Bluetooth LE:via optionalAtomX SYNC module
Wireless RF:via optionalAtomX SYNC module
ExternalDevice Control
Serial 2.5mm Jack:Camera control for supported cameras via Optional USB to SerialCable
Bluetooth LE:Via optionalAtomX SYNC module to compatible devices
Wireless RF:Via optionalAtomX SYNC module to compatible devices
SupportedApplications
XML:Cut tag EDL in FCPXXML
Apple ProRes RAW:Apple FCPX, Adobe Premier, After Effects, Avid Media Edius,Assimilate Scratch, Baselight Film Light.
Video Codecs:All Applicationswith support for ProRes and Avid DNX in .MOV wrapper